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Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, products of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others.
Van Gogh describes the ripening Green Wheat Field with Cypress painted in June: "a field of wheat turning yellow, surrounded by blackberry bushes and green shrubs. At the end of the field there is a little house with a tall somber cypress which stands out against the far-off hills with their violet-like and bluish tones, and against a sky the ...
The close association of peasants and the cycles of nature particularly interested Van Gogh, such as the sowing of seeds, harvest and sheaves of wheat in the fields. [3] Van Gogh saw plowing, sowing and harvesting symbolic to man's efforts to overwhelm the cycles of nature: "the sower and the wheat sheaf stood for eternity, and the reaper and ...
The Van Gogh Museum's Wheatfield with Crows was painted in July 1890, in the last weeks of van Gogh's life. Many have claimed it as his last painting, while it is likely that Tree Roots was his final painting. Wheat Field with Crows, made on a double-square canvas, depicts a dramatic, cloudy sky filled with crows over a wheat field. [5]
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890.
First painting (F617), late June 1889, Kröller-Müller Museum, Otterlo, Netherlands [1] Reaper (French: faucheur, lit. 'reaper'), Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun.
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