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Pygmalion married the ivory sculpture, which changed to a woman under Aphrodite's blessing. In Ovid's narrative, they had a daughter, Paphos, from whom is derived the name of the city . In some versions, Paphos was a son, and they also had a daughter, Metharme .
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme. [1] The motif is taken from Ovid 's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
Pygmalion and Galatea is an oil-on-canvas painting by the French painter Anne-Louis Girodet. It represents the myth of Pygmalion and Galatea as told by Ovid in the Metamorphoses. The figures Pygmalion and Galatea are shown with Cupid, the god of desire. Girodet began the work in 1813, but it took him eight years to complete. [1]
Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the Gallery , the first being now owned by Lord Lloyd Webber , [ 1 ] and the second housed at the Birmingham ...
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
George Leonard Hersey (August 30, 1927 – October 23, 2007) was an American art historian. Hersey was an expert on Italian Renaissance art and architecture, as well as 19th century American art and architecture. His work discussed the relationship between biology and sexuality to art and architecture. [1]
Depending on the object of their desire, agalmatophiles can exhibit pygmalionism, the love for an object of one's own creation, named after the myth of Pygmalion, where a man falls in love with a statue he made of his ideal woman. [1] English poet Edmund Spenser wrote of sexual pygmalionism in some of his works. [2]