Search results
Results from the WOW.Com Content Network
Pygmalion married the ivory sculpture, which changed to a woman under Aphrodite's blessing. In Ovid's narrative, they had a daughter, Paphos, from whom is derived the name of the city . In some versions, Paphos was a son, and they also had a daughter, Metharme .
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Anito, whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme. [1] The motif is taken from Ovid 's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
A unique sculpture of a buraq crafted by Mindanao Muslims. The belief on buraqs was inputted by Arab traders and missionaries Hanging coffins is a traditional practice in Sagada . The northern Kankanaey people believe that by doing so, the spirits will be closer to heaven while joining the community as protectors of the villages.
Shamans and their practices continue in some parts of the Philippines. [205] The art of constellation and cosmic reading and interpretation is a fundamental tradition among all Filipino ethnic groups, and the stars are used to interpret for communities to conduct farming, fishing, festivities, and other important activities.
During that time, a team led by the National Museum of the Philippines started archaeological site conservation and site development of the petroglyphs in which a mini-museum, view deck and stone path, among others, were constructed. It was included in the list of National Cultural Treasures in 1973 and World Inventory of Rock Art in 1985.