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American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Columbia Pictures (American Film Technologies) [311] Hellcats of the Navy: 1957: 1991: Columbia Pictures (American Film Technologies) [312] Hell's Horizon: 1955: 1992: Columbia Pictures (American Film Technologies) [313] Helping Grandma: 1931: 1994: RHI Entertainment, Inc. [314] Helpmates: 1932: 1986: Hal Roach Studios [315] Heidi: 1937: 1987 ...
Waterfront (also known as Waterfront Women) is a 1950 British black and white drama film directed by Michael Anderson and starring Robert Newton, Kathleen Harrison and Avis Scott. [2] It was written by John Brophy and Paul Soskin based on the 1934 novel of the same name by Brophy. It features a young (aged 25) Richard Burton in his third film ...
A Field in England is a 2013 British historical psychological horror film directed by Ben Wheatley. [3] The film, shot in black-and-white, is set during the mid-17th-century English Civil War. The film was released on 5 July 2013 on multiple platforms
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian [3] society. The film followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation.
The Angry Silence is a 1960 black-and-white British drama film directed by Guy Green and starring Richard Attenborough, Pier Angeli, Michael Craig and Bernard Lee. [3]The film marked the first release through screenwriter Bryan Forbes's production venture, Beaver Films, and Forbes won a BAFTA Award and an Oscar nomination for his contribution (shared with original story writers Michael Craig ...
The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter and Joan Fontaine as the young, never-named woman who becomes his second wife, with Judith Anderson, George Sanders and Gladys Cooper in supporting roles. The film is a gothic tale shot in black-and-white. Maxim de Winter's first wife Rebecca, who died before ...
The MGM film was filmed primarily in black-and-white, with the sequences set in the restored garden of the title filmed in Technicolor. The movie was Margaret O'Brien's final film for Metro-Goldwyn-Mayer. The film was released on DVD on May 7, 2013, as part of the Warner Archive Collection. [4]
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