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The first is a theory presented by Zick Rubin named The Theory of Liking vs. Loving. In his theory, to define romantic love, Rubin concludes that attachment, caring, and intimacy are the three main principles that are key to the difference of liking one person and loving them.
"Love" is a basic level that concept includes super-ordinate categories of emotions: affection, adoration, fondness, liking, attraction, caring, tenderness, compassion, arousal, desire, passion, and longing. Love contains large sub-clusters that designate generic forms of love: friendship, sibling relationship, marital relationship etc.
Isaac Michael "Zick" Rubin (born 1944) is an American social psychologist, lawyer, and author. [1] He is "widely credited as the author of the first empirical measurement of love," [2] for his work distinguishing feelings of like from feelings of love via Rubin's Scales of Liking and Loving.
The color wheel theory of love defines three primary, three secondary, and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests intimacy, passion, and commitment are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and ...
The other forms are liking (intimacy), companionate love (intimacy and commitment), empty love (commitment), fatuous love (passion and commitment), and infatuation (passion). Studies on Sternberg's theory love found that intimacy most strongly predicted marital satisfaction in married couples, with passion also being an important predictor ...
Among his love-sick targets, Catullus, along with others like Héloïse, would find himself summoned in the 12C to a Love's Assize. [17] From the ranks of such figures would emerge the concept of courtly love, [18] and from that Petrarchism would form the rhetorical/philosophical foundations of romantic love for the early modern world.
For example, Sternberg's triangular theory of love illustrates various types of possible loves, outlining the dynamics between passion, intimacy and commitment in the development of romantic love, infatuation, companionate love, liking, fatuous love, empty love, and consummate love . [1]
Unrequited love has long been depicted as noble, an unselfish and stoic willingness to accept suffering. Literary and artistic depictions of unrequited love may depend on assumptions of social distance that have less relevance in western, democratic societies with relatively high social mobility and less rigid codes of sexual fidelity.