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Standard C 3 • G 3 • D 4 • A 4. Common Alternates G 2 D 3 A 3 E 4; G 2 D 3 A 3 D 4; US Same tuning as tenor banjo, mandola. Guitar, terz: 6 strings 6 courses. G 2 C 3 F 3 B ♭ 3 D 4 G 4: Tertz Guitar, Tierce Guitar, Third Guitar Italy, Germany A minor third higher than standard guitar tuning. Guqin: 7 strings 7 courses. sol la do re mi ...
English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ("Crafty" tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard ...
Standard Choro tuning – C-E-A-d-g-b-e' Standard seven-string tuning for Brazilian choro. Drop D + B 7-string tuning – B'-D-A-d-g-b-e' Standard seven-string tuning with the low E dropped to D, which results in a minor 3rd interval between the two lowest strings of B and D. Used by Ed Sloan of Crossfade.
In standard tuning, there is an interval of a major third between the second and third strings, and all the other intervals are fourths. The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords.
C tuning. C tuning is a type of guitar tuning. The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning.
Baritone (older use) / 6 string bass (older use) such as the Fender Bass VI – E 1 A 1 D 2 G 2 B 2 E 3 (Similar to a standard guitar but an octave lower, and often played like a standard guitar rather than a bass guitar.) Baritone guitar (contemporary versions) – B 1 E 2 A 2 D 3 F♯ 3 B 3 a fourth below standard tuning, although A 1 to A 3 ...
As 2025 approaches, Bitcoin (CRYPTO: BTC) finds itself navigating a shifting macroeconomic landscape, with fading tailwinds raising concerns about sustained momentum, according to a report. What ...
However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6 , Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor.