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Ariadne (1932), an epic poem by F. L. Lucas. [43] Ariadne is a major character in Mary Renault's historical novel The King Must Die (1958) about the Bronze Age hero Theseus. An adaptation of the narrative of Ariadne appears in Mario Vargas Llosa's novel Death in the Andes. Ariadne is the subject of W. N. Herbert's poem Ariadne on Broughty Ferry ...
Ariadne (1932) is a short epic or long narrative poem of 3,300 lines, by the British poet F. L. Lucas. It tells the story of Theseus and Ariadne, with details drawn from various sources and original touches based on modern psychology. It was Lucas's longest poem. His other epic reworking of myth was Gilgamesh, King of Erech (1948). [1]
Catullus' longest poem, it retains his famed linguistic witticisms while employing an appropriately epic tone. Though ostensibly concerning itself with the marriage of Peleus and the sea-nymph Thetis (parents of the famed Greek hero Achilles), a sizeable portion of the poem's lines is devoted to the desertion of Ariadne by the legendary Theseus ...
Specifically on Naxos, two distinct festivals with the same name were held. One was dedicated to the abandoned Ariadne by Theseus, and the other honored Ariadne as the wife of the god Dionysus and mother of Staphylus and Oenopion, who, according to local tradition, were considered different figures. In Naxos, one tradition suggests that Ariadne ...
Semele (/ ˈ s ɛ m ɪ l i /; Ancient Greek: Σεμέλη, romanized: Semélē), or Thyone (/ ˈ θ aɪ ə n i /; Ancient Greek: Θυώνη, romanized: Thyṓnē) in Greek mythology, was the youngest daughter of Cadmus and Harmonia, and the mother [1] of Dionysus by Zeus in one of his many origin myths.
This image of Dionysus is true in KAOS, where Nabhaan Rizwan plays him as a character who is desperately seeking the approval of his father and a deeper purpose after Hera calls him a "lightweight."
F. L. Lucas's epic poem Ariadne (1932) is an epic reworking of the Labyrinth myth: Aegle, one of the sacrificial maidens who accompany Theseus to Crete, is Theseus's sweetheart, the Minotaur is Minos himself in a bull-mask, and Ariadne, learning on Naxos of Theseus's earlier love for Aegle, decides to leave him for the Ideal [Dionysus]. [24]
The other three poems (Klage der Ariadne, Nur Narr! Nur Dichter! and Unter Töchtern der Wüste ) are compositions drawn from those found in Also sprach Zarathustra only slightly altered. Ruhm und Ewigkeit was published at the end of the 1908 first edition of Ecce Homo ; however, it is now deemed to be a requisite part of Dionysos-Dithyramben .