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The Virgin and Child surrounded by the Holy Innocents (1616) by Rubens. The Virgin and Child surrounded by the Holy Innocents or The Virgin and Child with Angels is a 1616 oil painting by Peter Paul Rubens, showing the Virgin and Christ Child with the Holy Innocents. It was originally produced as oil on panel, before being transferred to canvas.
The remains of Rubens's second wife Helena Fourment and two of her children (one of whom was fathered by Rubens) were later also laid to rest in the chapel. Over the coming centuries about 80 descendants from the Rubens family were interred in the chapel. [42]
Roman Charity (c. 1612) by Rubens. Roman Charity is an oil on canvas painting by Peter Paul Rubens, executed c. 1612, now in the Hermitage Museum, in Saint Petersburg, for which it was bought from Koblenz's collection in Brussels in 1768. In 1828 D. A. Smitha of the Hermitage misattributed it as a copy.
Virgin and Child (c. 1608–1621) by Rubens. Virgin and Child is a painting by Rubens, commissioned in 1604 and completed between 1608 and 1621. It was seized by France in 1803 and is now in the Musée des Beaux-Arts Tours.
The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
The painting is an oil on canvas measuring 1.15 m. on 0.85 m. [1] This represents Hélène Fourment (1614–1673), the second wife of the painter Pierre Paul Rubens. Daughter of a wealthy merchant in tapestries, she married the painter in 1630 [2] at the age of 16 while the latter, widower of his first wife, was 53 at the time of the wedding. [3]
The Crowning of Saint Catherine (1631) by Peter Paul Rubens The Crowning of Saint Catherine is an oil-on-canvas painting by Peter Paul Rubens , now in the Toledo Museum of Art . It portrays Catherine of Alexandria , an early-4th-century martyr, being crowned by the infant Jesus, sitting on his mother's lap.
A little before beginning the cycle for the Jesuit church, Rubens had in fact completed a study trip to Venice. His composition recalls, in particular, so many group portraits of aristocratic Venetian families in prayer. One good example is the family Vendramin by Titian. Rubens's painting also shows the influence of Paolo Veronese and ...
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