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The timbau or Brazilian timbal is a membranophone instrument derived from the caxambu drum, usually played with both hands. [1] Slightly conical and of varying sizes, it is usually light in weight and made of lacquered wood or metal (usually aluminum) with a tunable nylon head. It is in the shape of an ice cream cone with the top and the point ...
One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.
For instance, influences of the African “bomba” rhythm are reflected in the clave. In addition to this, the emphasis and role of the drum within the rhythmic patterns speaks further to these diasporic roots. [9] The clave is the foundation of reggae, reggaeton, and dancehall.
A very dramatic difference between the two genres is that salsa bands don't use the kick drum, an essential element in all timba bands. Almost all timba bands have a trap drummer and those with a timbalero (e.g., Charanga Habanera) add a kick drum which he or she plays from a standing position. The role of the bassist is also very different.
Reggae, Jamaica's most globally recognized genre, emerged in the late 1960s. It is characterized by its slow tempo, offbeat rhythm, and socially conscious lyrics that address issues such as poverty, oppression, spirituality, and resistance. Reggae became a vehicle for the Rastafarian movement, promoting messages of peace, unity, and liberation.
Mini timbales small timbales, similar to timbalitos, often used by rock drummers as part of their drum kits. For examples, drummer John Dolmayan of System of a Down is known for using two (6" and 8") mini timbales in his kit [ 17 ] and Dave Mackintosh uses a pair of 8" diameter attack timbales 9" and 11" deep made by Meinl Percussion [ 18 ] to ...
In Latin percussion, timbales players use rimshots near the edge of the head, but these sound very different from gocks in marching percussion. In orchestral percussion, a rimshot is performed by placing one drum stick with the stick head near the middle of the drumhead, and the shaft pressed against the rim, and striking with the other stick ...
For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.