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Balinese people preserve cultural arts with their percussion instrument. Etymologically, the word 'kompang' is absorbed from the Javanese: ꦏꦺꦴꦩ꧀ꦥ꧀ꦭꦁ, romanized: komplang which means "empty" or "hollow", this refers to the shape of the kompang musical instrument itself which has a hollow part (on the back that is not covered with skin) so that it can produce loud sounds when hit.
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
Gong Agung - used in classical Malay music of Malay Gamelan. Gong Anak - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Gong Ibu - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Kenong - used in classical Malay music of Malay Gamelan.
The Malay Gamelan (Malay/Indonesian: gamelan Melayu; Jawi: ݢاميلن ملايو ) is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia (particularly in North Sumatra, Riau and Riau Islands) and Malaysia (particularly in Pahang, Terengganu and Johor) as well.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau ...
Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale.
Gamelan, which is the music accompanying the puppet show, is played in pelog or slendro tones according to the atmosphere of the scene being played. Gamelan music supports the delivery of values in wayang performances. The type of gamelan music for puppetry is different from gamelan music for dance or ordinary musical songs.
K. P. H. Notoprojo. Kanjeng Pangeran Harjo Notoprojo (Hanacaraka: ꦑꦤ꧀ꦗꦼꦁꦦꦔꦺꦫꦤ꧀ꦲꦂꦗꦟꦡꦦꦿꦗ), also known as Tjokrowasito, Wasitodipuro, Wasitodiningrat, among other names (March 17, 1909 – August 30, 2007), was one of the most highly respected performers of Javanese gamelan.
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