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The Flexi-50 amplifier head was released in 2003, and made its debut at that year's Music Live event in the UK. It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20]
Marshall quickly reverted to the older Celestions. [2] Still, some users prefer the pre-JCM800 amplifiers, claiming that those have a warmer, less "brittle" sound. [3] The amplifier was equipped with EL34 valves (tubes) for amps sold in the UK, Europe, and Canada. 6550 tubes for amps exported to the United States from approximately 1973 to 1985 ...
The Vintage Modern series consists of the 2466 100-watt head and 2266 50-watt head with matching combos and a matching cabinet loaded with G12C 25-watt Greenbacks. The Vintage Modern is the first Marshall since the late 1960s to be powered by KT66s, a European version of the 6L6 valve.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
20 watt class 'A' amp. 2 x EL84s, 4 x 12AX7s, 12 inch Jensen speaker. Custom Valve 20 – 15 watt class 'A' amp. 2 x EL84s, 3 x 12AX7s, 12 inch Celestion speaker. Custom Valve 20WR – Same as Custom Valve 20 but with red tolex, cream grill cloth, headphone jack, DI output, and Celestion Greenback Speaker. Custom Valve 40 – 40
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
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The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
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