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CCLI maintains a list of songs that are in the public domain. [10] If all of the songs that an organization uses are in that list, then the organization does not need to pay the CCLI license fee. As of March 2015, CCLI's list contained nearly 24,000 public domain songs.
In Christ Alone" appeared on CCLI's "Top 25 CCLI Songs" American songs list for the first time in the February 2008 report although it had appeared in the CCLI chart for Canada, Australia and New Zealand prior to that. In 2008, the song was included in the release of Christian Worship: Supplement for the Wisconsin Evangelical Lutheran Synod ...
In Australia this song was the seventh most used song by the beginning of 2007 [3] There have been many interpretations of the song by many artists in all styles: gospel, R&B, soul, rock, dance, reggae, hip hop, rap, soca, ska, punk, a cappella amongst others and has been translated to a number of languages and recorded in a number of countries.
Search. Search. Appearance. ... It reached number thirteen on CCLI's top five hundred worship songs list of 2005, [1] and number seven on CCLI's Top 25 Worship Songs ...
The song's popularity has reached far beyond the band's; CCLI places the song among the 30 most-sung worship songs in the United States [1] and has been called a "modern worship classic". [2] According to Martin Smith, the author of the song: "That song just wrote itself in about five minutes. The same chords the whole way through the song.
The song eventually caught the attention of executives at Integrity Music. When Integrity's Hosanna! Music copyrighted the song in 1986, the author was unknown. [7] After the Give Thanks album was released, the song was brought to the attention of Smith, who contacted Integrity with authorship information. Integrity later included songwriting ...
The song is set in common time and has a tempo of 75 beats per minute. [6] It is written in the key E Major . The verses follow the chord progression E - B - F♯m - A - E - B - A , the chorus follows the progression E - B - C♯m - A , and the bridge follows the progression B - E - A .
It was originally featured on Tomlin's album Arriving, that reached No. 1 on the Billboard Hot Christian Songs chart. It is also featured live on Tomlin's Live from Austin Music Hall album. As of November 2014, it was the fifth most popular worship song, according to CCLI's top 25 worship songs chart. [1]
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