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Hotwheels sisyphus is a species of Chinese ground spiders (family Gnaphosidae). It is the only species in the genus Hotwheels . [ 1 ] It was first described by Bo Liu and Feng Zhang, both from Hebei University , in 2024, [ 2 ] and has only been found in China .
Cyclocosmia ricketti (Chinese: 里氏盤腹蛛; pinyin: Lǐ shì pán fù zhū), commonly known as the Chinese hourglass spider (which generally refers to its genus), is a species of trapdoor spider of the genus Cyclocosmia, which refers specifically to mygalomorphus animals.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The main difference is the coat, which is depicted with white midsection, and is the one detail that connected the quadripartite mo to the giant panda in nature, whose coat has black shoulders and legs with white in the middle. The Erya yintu illustration is the only early example of this black and white mo depiction (Harper 2013: 209).
Pages in category "Spiders of China" The following 194 pages are in this category, out of 194 total. This list may not reflect recent changes. A. Acanoides;
Spiders are depicted in Indigenous Australian art, in rock and bark paintings, and for clan totems. Spiders in their webs are associated with a sacred rock in central Arnhem Land on the Burnungku clan estate of the Rembarrnga/Kyne people. Their totem design is connected with a major regional ceremony, providing a connection with neighboring ...
Cyriopagopus schmidti is a species of spider in the family Theraphosidae (tarantulas), found in China and Vietnam. [1] It is one of a number of species known as "Chinese bird spider" and "Chinese earth tiger". [citation needed] Haplopelma huwenum was synonymized with this species in 2008. [2]
The ceramics were hugely popular for their intricate paintings made using a number of techniques, including engraving and line drawing, wherein, flowers, animals, and people were the most common motifs, with a sharp focus on simple, natural, and elegant expression, all of which reflected society, culture, and aesthetic sensibility of the Tang ...