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The method employed to create red stained glass is to laminate a thin layer of red glass to a thicker body of glass that is clear or lightly tinted, forming "flashed glass". A lightly coloured molten gather is dipped into a pot of molten red glass, which is then blown into a sheet of laminated glass using either the cylinder (muff) or the crown ...
The molten glass was poured into a mold of wood or stone to make a sheet of glass. The texture of the mold material would be picked up by the glass. By the time stained glass was being made, the glassblowing pipe was in common use, so hand-blown (or mouth-blown) sheets were made by the cylinder glass and/or crown glass method.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
The foundation stone of Liverpool Cathedral was laid on 19 July 1904, [1] and it was completed in 1979. [2] Giles Gilbert Scott won the competition to design the cathedral, [3] and a Stained Glass Committee under the chairmanship of Sir Frederick Radcliffe was established to organise the design of the stained glass in the windows.
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass.He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art.
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
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