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In Britain, extra-illustration is frequently called grangerising or grangerisation, after James Granger whose seminal book Biographical History of England from Egbert the Great to the Revolution—published in 1769 without illustrations—quickly prompted a fashion for portrait-print collecting and the incorporation of prints and drawings into the printed text.
L'Illustration (French pronunciation: [lilystʁasjɔ̃]; 1843–1944) was a French illustrated weekly newspaper published in Paris. [1] It was founded by Édouard Charton with the first issue published on 4 March 1843, it became the first illustrated newspaper in France then, after 1906, the first international illustrated magazine; distributed in 150 countries.
العربية; Azərbaycanca; বাংলা; 閩南語 / Bân-lâm-gú; Беларуская (тарашкевіца) Български; Brezhoneg; Čeština
C. Georges Cain; Calvi (author) Marie Cardouat; Jacques Carelman; Marc Caro; Léon Carré; Jean Carzou; André Castaigne; Frédéric-Auguste Cazals; Jean Cézard
The countries in which the French Wikipedia is the most popular language version of Wikipedia are shown in dark blue. Page views by country over time on the French Wikipedia. The audience measurement company Médiamétrie questioned a sample of 8,500 users residing in France with access to Internet at home or at their place of work.
La Petite Illustration was founded in 1913. [1] It was a newspaper supplement to L'Illustration [2] and published plays, [3] [4] novels and short stories often first publishing and containing illustrations. The headquarters of the magazine was in Paris. [5] The magazine has been noted that it published works on French Algeria. [6]
The Musée d'Art Contemporain du Val-de-Marne, nicknamed MAC/VAL, is a museum of contemporary art located in the Place de la Libération in Vitry-sur-Seine, Val-de-Marne, a suburb of Paris, France. It is open daily except Mondays; an admission fee is charged. The museum opened in 2005, and is dedicated to works of art from the 1950s to the present.
Le Monde illustré was established in 1857. [1] Many of the highly realistic prints published in the medium of wood-engraving were actually made from photographs (through intermediary drawings), at a time when photographic reproduction in print was not technically feasible until the late nineteenth century.