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Do Raaste (translation: Two Paths) is a 1969 Indian Hindi film directed by Raj Khosla. It stars Rajesh Khanna as the dutiful son and Mumtaz as his love interest. Balraj Sahni and Kamini Kaushal play the eldest son and his wife. Prem Chopra plays the wayward son with Bindu as his wife who creates disputes.
It took Raj Khosla's blockbuster family drama Do Raaste (1969), starring Rajesh Khanna, to finally make Mumtaz a full-fledged star. Mumtaz had a decorative heroine's role and director Khosla had filmed four songs with her. [7] The film made her popular, and she acknowledged that even though she had a small role, it was one of her most favourite ...
1969 rank Title Cast 1. Aradhana: Sharmila Tagore, Rajesh Khanna: 2. Do Raaste: Rajesh Khanna, Mumtaz, Balraj Sahni, Prem Chopra, Bindu: 3. Ek Phool Do Mali: Sadhana ...
He starred in 17 consecutive successes from 1969 to 1971. [1] He won the Filmfare Award for Best Actor three times and the BFJA Awards for Best Actor (Hindi) four times, received the Filmfare Special Award in 1991, and was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna has been called the First 'Superstar' of Indian cinema. [2 ...
The 18th Filmfare Awards were held on April 18, 1971, [1] honouring the best in Hindi Cinema in the year 1970. Pehchan led the ceremony with 9 nominations, followed by Do Raaste with 7 nominations and Khilona with 6 nominations. Pehchan won 4 awards, including Best Supporting Actress (for Chand Usmani), thus becoming the most-awarded film at ...
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The huge box office success of Aradhana and Do Raaste was followed by a superhit in Narendra Bedi's romantic drama Bandhan again with Mumtaz, a hit in Yash Chopra's songless mystery thriller Ittefaq co-starring Nanda, followed by another successful film, Doli alongside Babita to go with the major grossers. [44]
Raj Khosla (31 May 1925 – 9 June 1991) was one of the top directors, producers and screenwriters in Hindi film industry from the 1950s to the 1980s. He was known for bringing in "neo-noir" and style in Indian cinema, and also as a "women's director" because he showcased actresses at their best.