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A depiction of Víðarr stabbing Fenrir while holding his jaws apart by W. G. Collingwood, 1908, inspired by the Gosforth Cross. In Norse mythology, Víðarr (Old Norse: [ˈwiːðɑrː], possibly "wide ruler", [1] sometimes anglicized as Vidar / ˈ v iː d ɑːr /, Vithar, Vidarr, and Vitharr) is a god among the Æsir associated with vengeance.
Words of Old Norse origin have entered the English language, primarily from the contact between Old Norse and Old English during colonisation of eastern and northern England between the mid 9th to the 11th centuries (see also Danelaw). Many of these words are part of English core vocabulary, such as egg or knife. There are hundreds of such ...
In Norse mythology, a valkyrie (from Old Norse valkyrja "chooser of the fallen") is one of a host of female figures who decide who will die in battle. Selecting among half of those who die in battle (the other half go to the goddess Freyja 's afterlife field Fólkvangr ), the valkyries bring their chosen to the afterlife hall of the slain ...
The world known to the Norse. The Norse people traveled abroad as Vikings and Varangians. As such, they often named the locations and peoples they visited with Old Norse words unrelated to the local endonyms. Some of these names have been acquired from sagas, runestones or Byzantine chronicles.
The Old Norse theonym Baldr ('brave, defiant'; also 'lord, prince') and its various Germanic cognates – including Old English Bældæg and Old High German Balder (or Palter) – probably stems from Proto-Germanic *Balðraz ('Hero, Prince'; cf. Old Norse mann-baldr 'great man', Old English bealdor 'prince, hero'), itself a derivative of *balþaz, meaning 'brave' (cf. Old Norse ballr 'hard ...
Logi (Old Norse: , 'fire, flame') or Hálogi ([ˈhɑːˌloɣe], 'High Flame') is a jötunn and the personification of fire in Norse mythology. He is a son of the jötunn Fornjótr and the brother of Ægir or Hlér ('sea') and Kári ('wind'). Logi married fire giantess Glöð and she gave birth to their two beautiful daughters—Eisa and Eimyrja.
The first helmingr (half-verse) is relatively straight forward. It translates (with kennings in brackets): [3] The ancient breeze of the cliff-goddesses [GIANTESSES > DESIRE] fell to me early with respect to the beautiful, dangerous young pine-tree of the fastened fire of the fish expanse [SEA > GOLD > (beautiful, dangerous, young) WOMAN].
The Skáldskaparmál is both a retelling of Norse legend as well as a treatise on poetry. It is unusual among surviving medieval European works as a poetic treatise written both in and about the poetry of a local vernacular language, Old Norse; other Western European works of the era were on Latin language poetry, as Latin was the language of scholars and learning.