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King Goujian of Yue was once imprisoned by King Fuchai of Wu following a military defeat. As a result, the state of Yue became a tributary state to the State of Wu.In a clandestine effort to plot his revenge, King Goujian's minister Wen Zhong suggested training exceptionally beautiful women and offering them to King Fuchai as a tribute, well aware of Fuchai's weakness for beautiful women.
This is a list of photographs considered the most important in surveys where authoritative sources review the history of the medium not limited by time period, region, genre, topic, or other specific criteria. These images may be referred to as the most important, most iconic, or most influential—but they are all considered key images in the ...
One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
In 1856 The New York Times published a report entitled "Horrible Traffic in Circassian Women – Infanticide in Turkey", asserting that a consequence of the Russian conquest of the Caucasus was an excess of beautiful Circassian women on the Constantinople slave market, and that this was causing prices of slaves in general to plummet. [44]
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
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Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [ 3 ]