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The figure of Suvannamaccha is popular in Thai folklore and is represented on small cloth streamers or framed pictures that are hung as luck-bringing charms in shops and houses throughout Thailand. Suvannamaccha luck bringing charm in a riverside shop in Nonthaburi, Thailand
These remarks bothered Mata Ganga and so she pressed her husband about having a son of their own. [5] However, Arjan out of humbleness asked his wife to ask Baba Buddha to fulfill her desire for a son. [5] Since Baba Buddha was an aged and reclusive personality, Mata Ganga would seek him out while barefoot for his blessings. [4]
Oro, Plata, Mata (Spanish: Gold, Silver, Death) is a 1982 Philippine historical war drama film co-written and directed by Peque Gallaga. The screenplay written and adapted by José Javier Reyes was based on the story developed by Gallaga, along with Mario Taguiwalo and Conchita Castillo.
As a result, Santoshi Mata appeared in her husband's dream and informed him of his wife's plight. He returned home wealthy and set up a separate household with his wife. In the udyapan ceremony of the vrata, the in-laws plotted against the wife and served sour food to the eight boys, offending Santoshi Mata. As a consequence, her husband was ...
Trishala, also known as Videhadatta, Priyakarini, or Trishala Mata (Mother Trishala), was the mother of Mahavira, the 24th Tirthankara of Jainism, and wife of the Gaṇa Mukhya, Siddhartha of Kundagrama, of present-day Bihar. [3] [4] She finds mention in the Jain texts. [1]
Mata'afa was later Samoa's first high commissioner to New Zealand. She was also the wife of Samoa's first Prime Minister, Fiame Mata'afa Faumuina Mulinu'u II . Their daughter, Fiamē Naomi Mataʻafa , is a matai high chieftess and former Cabinet Minister , former Deputy Prime Minister and current Prime Minister of Samoa . [ 1 ]
The film is told through flashbacks spread across Mata's childhood and current life. At a young age, Mata is sent by her Pākehā ( European ) father to the Mercy Home for Desolate Children. There, she is renamed May Parker and grows up ignorant of her Māori culture, language , and family.
Although she is virtuous, beautiful and has great ascetic powers, she becomes increasingly dissatisfied with her husband. Vivasvant's radiant heat is excessive, rendering his form unappealing to Samjna. He is referred to as Martanda or "Dead-Egg." His intense radiance has disfigured his limbs and darkened his complexion (syama varna). Samjna ...
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