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Sound annoyance is a subjective matter and cannot be covered by law. In the Netherlands the government set up laws to protect households and other noise-sensitive buildings like hospitals and schools from noise pollution. There are different laws for different sound sources; airplanes, traffic, industry and neighbours. [13]
The Hum is a name often given to widespread reports of a persistent and invasive low-frequency humming, rumbling, or droning noise audible to many but not all people. Hums have been reported all over the world, including the United States, the United Kingdom, Australia and Canada.
Crazy Frog (originally known as The Annoying Thing) is a Swedish CGI-animated character and Eurodance musician created in 2003 by actor and playwright Erik Wernquist. . Marketed by the ringtone provider Jamba!, the character was originally created to accompany a sound effect produced by Daniel Malmedahl while attempting to imitate the sound of a two-stroke
According to Danish noise and music theorist Torben Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a musical acoustics definition, a second communicative definition based on distortion or disturbance of a communicative signal, and a third definition based in subjectivity (what is noise to one person can be meaningful ...
YouTube videos often have profanity bleeped or muted out as YouTube policy specifies that videos including profanities may be "demonetized" or stripped of ads. [10] Beginning in 2019, the bleep censor began to be more often used for censoring out words related to sensitive and contentious topics to evade algorithmic censorship online ...
YouTube Rewind 2018 is the single most disliked video on YouTube, receiving over 19 million dislikes since its upload on December 6, 2018. [1]This list of most-disliked YouTube videos contains the top 42 videos with the most dislikes of all time, as derived from the American video platform, YouTube's, charts. [2]
Shrillness is a word used to describe the quality of sounds that have a high-pitched, strident, raucous, screeching or harsh character, such as those produced by a trumpet or piccolo, but it can also be used to describe a widely recognised and puzzling phenomenon whereby certain sounds are perceived as psychologically painful or aversive to a degree that cannot be accounted for simply in terms ...
Power electronics is generally atonal, like most noise music; it also features a lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics , album art, or live performance actions.