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Christ with the Woman Taken in Adultery, by Guercino, 1621 (Dulwich Picture Gallery) Christ and Sinner, 1873 by Henryk Siemiradzki Christ and the Woman Taken in Adultery, 1565 by Pieter Bruegel, oil on panel, 24 cm × 34 cm (9.4 in × 13.4 in) Christ and the woman taken in adultery, drawing by Rembrandt
Christ and the Adulteress, also called Christ and the Woman Taken in Adultery, and The Adulteress Brought before Christ, is an oil painting usually attributed to Titian and painted early in his career, c. 1508-1510. It hangs in the Kelvingrove Art Gallery and Museum, in Glasgow. [1]
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery.
Christ and the Woman Taken in Adultery is an episode from the New Testament. Christ and the Woman Taken in Adultery or The Woman Taken in Adultery may also refer to: Christ and the Woman Taken in Adultery, a painting of 1917 by Max Beckmann; Christ and the Woman Taken in Adultery, a painting of 1565 by Pieter Bruegel the Elder
The Woman Taken in Adultery, 1520s by Lorenzo Lotto. The story of the woman taken in adultery is found only in the Gospel of John. In the story, Jesus was teaching in the Temple in Jerusalem. Some scribes and Pharisees interrupted his teaching as they brought in a woman who had been taken in the very act of adultery. [51]
But the censor did not allow these words to be included in the catalogue, but allowed 'Christ and the woman caught in adultery', because that was the name of other paintings, and then in the museum it was called 'The Prodigal Woman', which was completely contrary to the Gospel story, which clearly says that it is a woman who has sinned.
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