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The painting inspired the 1959 film of the same name by Jean Renoir. Alain Jacquet copied in 1964 the composition of Manet in his Déjeuner sur l'herbe:, a serie of 95 serigraphies portraying the art critic Pierre Restany and the painter Mario Schifano, one of which was left in the lobby of the hotel Chelsea in New York City for payment of his ...
The Museum of Modern Art in New York City mounted an important Picasso exhibition on 15 November 1939 that remained on view until 7 January 1940. The exhibition, entitled Picasso: 40 Years of His Art , was organized by Alfred H. Barr (1902–1981), in collaboration with the Art Institute of Chicago .
Nymph of Fontainebleau at the Louvre (H. 2.05 m; L. 4.09 m) [1]. The Nymph of Fontainebleau (French: Nymphe de Fontainebleau), also known as the Nymph of Anet (French: Nymphe d'Anet) or the Nymph with the Stag (French: Nymphe au cerf), is a c.‑1543 bronze relief (Paris, Louvre, MR 1706 [1]), created by the Italian sculptor Benvenuto Cellini for the Château de Fontainebleau in France.
The Catalog of paintings in the Louvre Museum lists the painters of the collection of the Louvre Museum as they are catalogued in the Joconde database. The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth.
Mademoiselle Caroline Rivière, 1806, Jean-Auguste-Dominique Ingres.Oil on canvas, 27 3 ⁄ 8 × 27 1 ⁄ 2 inches. The Louvre, Paris.. The portrait of Mademoiselle Caroline Rivière was painted in 1806 [1] by the French Neoclassical artist Jean-Auguste-Dominique Ingres, and today hangs in the Louvre.
Ship of Fools (painted c. 1490–1500) is a painting by the Early Netherlandish artist Hieronymus Bosch, now in the Musée du Louvre, Paris. Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a triptych that was cut into several parts.
A later version of the painting, on canvas, [7] had been offered to the Kansas City Art Institute as the original, but was identified as a copy, on the basis of a photograph, by Sir Joseph Duveen, who permitted his remarks to be published in the New York World in 1920; the owner, Mrs Andrée Lardoux Hahn, sued for defamation of property in a ...
The Head of the Virgin in Three-Quarter View Facing Right was made on a rectangular sheet of paper measuring 20.3 × 15.6 cm. It seems that several years after its creation, it was amputated by wide strips on all four sides, as evidenced by copies made by followers, such as the one preserved in the Albertina Museum in Vienna (dated between 1508 and 1513 and measuring 22.7 × 26 cm): it thus ...