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2. Nocturnes, Op. 9 (Chopin) - Wikipedia

   en.wikipedia.org/wiki/Nocturnes,_Op._9_(Chopin)

   The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...

3. Nocturnes (Chopin) - Wikipedia

   en.wikipedia.org/wiki/Nocturnes_(Chopin)

   Cover page of Chopin's Nocturnes Op. 48 Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [ 1 ]

4. File:Frederic Chopin - Nocturne Eb major Opus 9, number 2.ogg

   en.wikipedia.org/wiki/File:Frederic_Chopin...

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5. Tempo rubato - Wikipedia

   en.wikipedia.org/wiki/Tempo_rubato

   Chopin's second main purpose for using rubato is to create an intensely expressive moment such as at the high point of a melodic line or at an appoggiatura. For example, in the Nocturne Op. 9 No. 2, bar 26 has an intensely singing moment where the melody leaps up to an E-flat. However, this E-flat is not the highest point of the phrase.

6. List of compositions by Frédéric Chopin by genre - Wikipedia

   en.wikipedia.org/wiki/List_of_compositions_by...

   Op. 9, Three Nocturnes (1830–32): Nocturne in B ♭ minor; Nocturne in E ♭ major; Nocturne in B major; Op. 15, Three Nocturnes (1830–33): Nocturne in F major; Nocturne in F ♯ major; Nocturne in G minor; Op. 27, Two Nocturnes (1835-6): Nocturne in C ♯ minor; Nocturne in D ♭ major; Op. 32, Two Nocturnes (1836–37): Nocturne in B ...

7. Chopin's compositions for piano and orchestra - Wikipedia

   en.wikipedia.org/wiki/Chopin's_compositions_for...

   Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.