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One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom, occasionally in patterns of seven, eleven, twenty, and twenty-two in the form of polyrhythms.
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole.
The Nocturne Op. 9 No. 2, in E flat major, performed by Mischa Elman and Percy B. Kahn, Victor 12" Red Seal (Classical) 74052, single-sided disc Composition date 1832
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Nocturne in B ♭ minor; Nocturne in E ♭ major; Nocturne in B major; Op. 15, Three Nocturnes (1830–33): Nocturne in F major; Nocturne in F ♯ major; Nocturne in G minor; Op. 27, Two Nocturnes (1835-6): Nocturne in C ♯ minor; Nocturne in D ♭ major; Op. 32, Two Nocturnes (1836–37): Nocturne in B major; Nocturne in A ♭ major; Op. 37 ...
Frédéric Chopin's Nocturne in G Minor, Op. 15, No. 3. The marking "languido e rubato", slow tempo, and subdued dynamics creates an evocative mood characteristic of nocturnes. A nocturne is a musical composition that is inspired by, or evocative of, the night.
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