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Shuddha Saveri scale with shadjam at C. Shuddha Saveri is a symmetric rāgam that does not contain gāndhāram or nishādam.It is a pentatonic scale (audava-audava ragam in Carnatic music classification – audava meaning 'of 5').
Karnataka Shuddha Saveri is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
Hindolam scale with shadjam at C. Hindōḷaṃ is a symmetric rāgam that does not contain rishabham and panchamam.It is a pentatonic scale (audava-audava rāgam [1] [2] in Carnatic music classification—audava means 'of 5').
Original film Cast Notes Ref. Film Language 30 September: Thulli Ezhunthathu Kadhal: Sreehari Nanu: Thakita Thakita: Telugu: Harshvardhan Rane, Hariprriya, Nagarjuna, Anushka Shetty, Bhumika Chawla: Produced by Chennai Film School Production [46] 5 October: English Vinglish: Gauri Shinde: English Vinglish: Hindi: Sridevi, Priya Anand, Adil Hussain
Chakravakam scale with Shadjam at C. It is the 4th melakarta in the 3rd chakra- Agni.The mnemonic name is Agni-Bhu.The mnemonic phrase is sa ra gu ma pa dhi ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Vasantha is an asymmetric scale that does not contain panchamam.It is called a vakra audava-shadava raga, malathiga [1] structure is as follows (see swaras in Carnatic music for details on below notation and terms):
Shubhapantuvarali scale with shadjam at C. It is the 3rd rāgam in the 8th chakra Vasu.The mnemonic name is Vasu-Go.The mnemonic phrase is sa ra gi mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Harikambhoji scale with Shadjam at C. It is the 4th rāgam in the 5th chakra Bana.The mnemonic name is Bana-Bhu.The mnemonic phrase is sa ri ga ma pa dha ni sa. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
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