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A mantra (Pali: mantra) or mantram (Devanagari: मन्त्रम्) [1] is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers.
Before Nichiren's time, during a Lotus Sutra lecture series in Japan in 1110 C.E., a tale was told of an illiterate monk in Sui-dynasty China who was instructed to chant from dawn to night the daimoku mantra "Namu Ichijō Myōhō Renge Kyō" as a way to honor the Lotus Sutra as the One Vehicle teaching of the Buddha since he could not read the ...
In the Upanishad, Vishnu states to Brahma that Yoga is one, [41] in practice of various kinds, the chief are of four types – Mantra Yoga is the practice through chants, Laya Yoga through deep concentration, Hatha Yoga through exertion, and Raja Yoga through meditation. [1]
Statue of Patañjali, its traditional snake form indicating kundalini or an incarnation of Shesha. The Yoga Sutras of Patañjali (IAST: Patañjali yoga-sūtras) is a collection of Sanskrit sutras on the theory and practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar).
Tantric yoga is usually divided into two stages, the generation stage (utpattikrama) and the completion stage (nispannakrama). In the generation stage practice of deity yoga (devata-yoga), one dissolves oneself and the world in emptiness and visualizes oneself as a "cherished divinity" (Skt. Iṣṭa-devatā, Tib. yidam).
From him come the Rig verses, the Saman chants, the Yajus formulae, the Diksha rites, all sacrifices, all ceremonies and all gifts, the year too, the sacrificers, the worlds, where the moon shines brightly, as does sun. From him, too, gods are manifold produced, the celestials, the men, the cattle, the birds,
It is a common part of formal group practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic, apotropaic or other magical purposes. In Mahayana Buddhism , the offering of music is a traditional part of devotional offerings to the Buddhas (others include water, flowers, and light).
Many Kirtan are structured for more audience participation, where the singer calls a spiritual chant, a hymn, a mantra or a theme, the audience then responds back by repeating the chant or by chanting back a reply of their shared beliefs. [30] [31] A Bhajan, in contrast, is either experienced in silence or a "sing along". [27] [32]
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