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For example, an enlargement from a certain negative as a 12 x 18 cm (approx. 5 by 7 inch) print may be sufficient for a scrapbook viewed at 50 cm (20 inches), but insufficiently detailed for an A4 print hung on a hallway wall to be viewed at the same distance, though usable at a larger 120 x 180 cm (ten times larger) on a billboard to be viewed ...
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
A good example of this a 4×6 print (6 inch wide by 4 inch tall landscape) perfectly matches the 3:2 aspect ratio of a DSLR/35 mm, since 6/2=3 and 4/2=2. For analog projection of photographic slides, projector and screen use a 1:1 aspect ratio, supporting horizontal and vertical orientation equally well.
Keighley would enlarge his 'quarter-plate' negatives to produce full-plate-sized prints. He would combine several different negatives to produce a print. He also often enlarged his 10x20" pictures considerably – mostly to a size of 16x20 or 24x30 inches (=60x75 cm), which was unusual at the time.
Image scaling can be interpreted as a form of image resampling or image reconstruction from the view of the Nyquist sampling theorem.According to the theorem, downsampling to a smaller image from a higher-resolution original can only be carried out after applying a suitable 2D anti-aliasing filter to prevent aliasing artifacts.
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