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Jewish religious clothing is apparel worn by Jews in connection with the practice of the Jewish religion. Jewish religious clothing has changed over time while maintaining the influences of biblical commandments and Jewish religious law regarding clothing and modesty . Contemporary styles in the wider culture also have a bearing on Jewish ...
The traditional Torah ark curtains of Jewish communities in Central Asia were hand embroidered suzani. Most studies of Jewish history and daily life in historic times have focused on text sources like the Talmud which gives an incomplete understanding of practices in the daily lives of Jews, and contains some content which is understood to be theoretical.
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.
Shtreimel on a mannequin A rabbi dressed in shtreimel, Jerusalem. A shtreimel (Yiddish: שטרײַמל shtrayml, plural: שטרײַמלעך shtraymlekh or שטרײַמלען shtraymlen) is a fur hat worn by some Ashkenazi Jewish men, mainly members of Hasidic Judaism, on Shabbat and Jewish holidays and other festive occasions. [1]
The music may have preserved a few phrases in the reading of scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based.
The bekishe is worn mainly on Shabbos and Jewish holidays, or at weddings and other such events. During the week, it is customary to wear a rekel, made of wool or polyester, looking like a regular double-breasted suit, only longer. Hassidic rabbis who wear a bekishe during the week will wear a more ornate version for Shabbos, often lined with ...
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [24] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music. Yet there is nothing about ...
In the Ashkenazi world, the main impetus towards composed Jewish music came in early 19th century Vienna, where Salomon Sulzer composed settings for a large part of the synagogue service, reflecting traditional Jewish music but set in a style reminiscent of Schubert, who was a friend and contemporary.