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Recordings of the St John Passion are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's St John Passion, BWV 245. The selection is taken from the 241 recordings listed on bach-cantatas as of 2015.
The Passio secundum Joannem or St John Passion [a] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. [1] It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St ...
Bach wrote the St Mark Passion, BWV 247 for 1731. Picander's libretto for the Passion was once thought to have been destroyed in the bombing of Dresden in World War II, but the recovered copy seems to show that the work was a parody of music from the so-called Trauer-Ode, Laß, Fürstin, laß noch einen Strahl, BWV 198, and that some choruses were used also in the Christmas Oratorio.
St. John Passion, Bach's last revision (1749), BDW 00310; BWV 247 – St Mark Passion (Markus-Passion) (libretto is extant; although the music is lost much of it is reconstructable based on associated compositions) BWV deest – Weimarer Passion (lost, music partially recuperated in other compositions), BDW 01533
Johann Sebastian Bach, the 18th century’s uncontested genius of Western music, is explaining counterpoint, the defining characteristic of his revolutionary work, to his son and pupil Carl.
The tradition of the German oratorio Passion began in Hamburg in 1643 with Thomas Selle’s St John Passion and continued unbroken until the death of Carl Philipp Emanuel Bach in 1788. The oratorio Passion, made famous by Johann Sebastian Bach in his St John Passion and St Matthew Passion , is the style that is most familiar to the modern listener.
Felix Mendelssohn significantly contributed to the renewed interest in Bach's work with his 1829 Berlin performance of the St Matthew Passion, which was instrumental in setting off what has been called the Bach Revival. The St John Passion saw its 19th-century premiere in 1833, and the first performance of the Mass in B minor followed in 1844.
His last major project there was Bach's St Matthew Passion in 2019, in a sequence of performing it alternating with the St John Passion every year. The choir performed with the Academy of Ancient Music and James Gilchrist as the Evangelist. [8] He retired on 30 September 2019, and was succeeded at King's College by Daniel Hyde. [4] [9]
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