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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." [ 1] The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors. When looking at artworks and architecture from antiquity and the European Middle Ages, people tend to believe that they were ...
Azulejo. Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo ( Portuguese: [ɐzuˈle (j)ʒu, ɐzuˈlɐjʒu], Spanish: [aθuˈlexo]; from the Arabic الزليج, al- zillīj) [ 1][ 2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Lustron houses are prefabricated enameled steel houses developed in the post- World War II era United States in response to the shortage of homes for returning G.I.s by Chicago industrialist and inventor Carl Strandlund. Considered low-maintenance and extremely durable, they were expected to attract modern families who might not have the time ...
Faience or faïence ( / faɪˈɑːns, feɪˈ -, - ˈɒ̃s /; French: [fajɑ̃s] ⓘ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery.
Collage. Collage ( / kəˈlɑːʒ /, from the French: coller, "to glue" or "to stick together"; [ 1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)
Decalcomania (from French: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity art transfer or product label, known as a "decal". Decalcomania is adapted from French décalcomanie, equivalent to décalquer ...