Search results
Results from the WOW.Com Content Network
Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Lustron houses are prefabricated enameled steel houses developed in the post- World War II era United States in response to the shortage of homes for returning G.I.s by Chicago industrialist and inventor Carl Strandlund. Considered low-maintenance and extremely durable, they were expected to attract modern families who might not have the time ...
Art Deco, short for the French Arts décoratifs ( lit. 'Decorative Arts' ), [ 1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I ), [ 2] and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and ...
Vitreous enamel. Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".
Faience. Faience or faïence ( / faɪˈɑːns, feɪˈ -, - ˈɒ̃s /; French: [fajɑ̃s] ⓘ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery.
Azulejo. Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo ( Portuguese: [ɐzuˈle (j)ʒu, ɐzuˈlɐjʒu], Spanish: [aθuˈlexo]; from the Arabic الزليج, al- zillīj) [ 1][ 2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Sebastiano del Piombo 's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
The history of glass-making dates back to at least 3,600 years ago in Mesopotamia. However, most writers claim that they may have been producing copies of glass objects from Egypt. [ 1] Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. [ 2]