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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
A binder or binding agent is any material or substance that holds or draws other materials together to form a cohesive whole mechanically, chemically, by adhesion or cohesion . More narrowly, binders are liquid or dough-like substances that harden by a chemical or physical process and bind fibres, filler powder and other particles added into it ...
Whitewash. Whitewash, calcimine, kalsomine, calsomine, or lime paint is a type of paint made from slaked lime ( calcium hydroxide, Ca (OH) 2) or chalk ( calcium carbonate, CaCO 3 ), sometimes known as "whiting". Various other additives are sometimes used.
Roman concrete, like any concrete, consists of an aggregate and hydraulic mortar, a binder mixed with water that hardens over time. The composition of the aggregate varied, and included pieces of rock, ceramic tile, lime clasts, and brick rubble from the remains of previously demolished buildings. In Rome, readily available tuff was often used ...
Masonry is the craft of building a structure with brick, stone, or similar material, including mortar plastering which are often laid in, bound, and pasted together by mortar. The term masonry can also refer to the building units (stone, brick, etc.) themselves. The common materials of masonry construction are bricks and building stone such as ...
Mortar is a workable paste which hardens to bind building blocks such as stones, bricks, and concrete masonry units, to fill and seal the irregular gaps between them, spread the weight of them evenly, and sometimes to add decorative colours or patterns to masonry walls. In its broadest sense, mortar includes pitch, asphalt, and soft mud or clay ...
To Althea, from Prison. Richard Lovelace by William Dobson. " To Althea, from Prison " is a poem written by Richard Lovelace in 1642. The poem is one of Lovelace's best-known works, and its final stanza's first line "Stone walls do not a prison make, Nor iron bars a cage" is often quoted. Lovelace wrote the poem while imprisoned in Gatehouse ...
Full-size templates were used to make complex structures such as vaults or the pieces of ribbed columns, which could be reused at different sites. [16] The result of these efforts was a remarkable degree of precision. The stone columns of the triforium of the apse of Chartres Cathedral have a maximum variation of plus or minus 19 mm (0.75 in). [17]
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