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After the war, Kitazawa spent his last years living and working in a house in Ōmiya in Saitama Prefecture, which in 1966 became the Saitama Municipal Cartoon Art Museum (in Japanese, Saitama Shiritsu Manga Kaikan さいたま市立漫画会館). This museum—supposedly the first public museum in Japan if not the world devoted to comics—also ...
This is a list of cartoonists, visual artists who specialize in drawing cartoons.This list includes only notable cartoonists and is not meant to be exhaustive. Note that the word 'cartoon' only took on its modern sense after its use in Punch magazine in the 1840s - artists working earlier than that are more correctly termed 'caricaturists',
The drawing is the only extant larger-scale drawing by the artist. [3] The drawing depicts the Virgin Mary seated on the thigh of her mother, Saint Anne, while holding the Christ Child as Christ's young cousin, John the Baptist, stands to the right. It currently hangs in the National Gallery in London.
Caricature of Aubrey Beardsley by Max Beerbohm (1896), taken from Caricatures of Twenty-five Gentlemen. A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon).
Dave Lee Stevens (July 29, 1955 – March 11, 2008) was an American illustrator and comics artist. He was most famous for creating The Rocketeer comic book and film character, and for his pin-up style "glamour art" illustrations, especially of model Bettie Page.
In his drawing, McCay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo. His comic strip work has influenced generations of cartoonists and illustrators.
His November 16, 1902, cartoon, "Drawing the Line in Mississippi," depicted President Theodore Roosevelt showing compassion for a small bear cub. The cartoon inspired New York store owner Morris Michtom to create a new toy and call it the teddy bear. [3] Berryman worked at The Washington Post until 1907, when he was hired by The Washington Star.
May was a major influence on the style of cartoon drawing in the 20th century. In 1918, Percy Bradshaw wrote in The Art of the Illustrator that May "surely gave more magic to a single line than any draftsman who has ever lived, and he was unquestionably the creator of the simplified technique of modern humorous drawing". [5]
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