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Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Facial symmetry is one specific measure of bodily symmetry. Along with traits such as averageness and youthfulness, it influences judgments of aesthetic traits of physical attractiveness and beauty. [1] For instance, in mate selection, people have been shown to have a preference for symmetry. [2] [3]
The relationship of symmetry to aesthetics is complex. Humans find bilateral symmetry in faces physically attractive; [ 51 ] it indicates health and genetic fitness. [ 52 ] [ 53 ] Opposed to this is the tendency for excessive symmetry to be perceived as boring or uninteresting.
Women with partners possessing greater symmetry reported significantly more copulatory female orgasms than were reported by women with partners possessing low symmetry, even with many potential confounding variables controlled. [42] This finding has been found to hold across different cultures.
Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art, music, or any object that can give rise to aesthetic judgments. [2] Neuroesthetics is a term coined by Semir Zeki in 1999 [ 3 ] and received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of ...
The aesthetic experience seems to be determined by liking or disliking a work of art, placed along a continuum of pleasure–displeasure. [9] However, other diverse emotions can still be felt in response to art, which can be sorted into three categories: Knowledge Emotions, Hostile Emotions, and Self-Conscious Emotions.
Formal balance, also called symmetrical balance, is a concept of aesthetic composition involving equal weight and importance on both sides of a composition. [1] [2 ...
Aesthetic preferences for faces and shapes has been consistently associated with a higher degree of symmetry. [63] [66] However, symmetry does not predict aesthetic preferences as reliably for other types of stimuli, suggesting that preference for symmetry may be domain-specific. [66]