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Trajan's Column (Italian: Colonna Traiana, Latin: Columna Traiani) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate .
A relief from the Plutei Trajan. The Plutei of Trajan (Latin Plutei Traiani; often called the Anaglypha Traiani) are carved stone balustrades built for the Roman emperor Trajan. They are on display inside the Curia Julia in the Roman Forum today, but are not part of the original structure. It is unknown exactly where Trajan erected them.
The reliefs of Trajan's Column produced in this period are considered not only masterpieces of Roman civilization, but of ancient art in general. [1] Reliefs on the Trajan's Column. The spiral-shaped column covered with reliefs was an absolute novelty in ancient art and became the most avant-garde arrival point of the Roman historical relief ...
Relief of Trajan's Column, published by Cichorius. Conrad Cichorius (25 May 1863 in Leipzig – 20 January 1932 in Bonn) was a German historian and classical philologist.He is known for publishing a complete survey of the reliefs of Trajan's Column, which still forms the basis of modern scholarship.
The Tropaeum Traiani or Trajan's Trophy lies 1.4 km northeast of the Roman city of Civitas Tropaensium (near the modern Adamclisi, Romania). It was built in AD 109 in then Moesia Inferior , to commemorate Roman Emperor Trajan 's victory over the Dacians in 106, including the victory at the Battle of Adamclisi nearby in 102.
The Column of Marcus Aurelius (Latin: Columna Centenaria Divorum Marci et Faustinae, Italian: Colonna di Marco Aurelio) is a Roman victory column in Piazza Colonna, Rome, Italy. It is a Doric column featuring a spiral relief: it was built in honour of Roman emperor Marcus Aurelius and modeled on Trajan's Column. The Imperial Monument is ...
The Bernward column, which is 3.79 metres (12.4 ft) high and 58 centimetres (23 in) in diameter, is a victory column that Bernward had cast from bronze in conscious imitation of the marble Trajan's Column and the Column of Marcus Aurelius in Rome.
Koeppel's scholarly work focused on the development of the iconography of Roman historical relief sculpture, with particular interest in state panel reliefs and monuments such as the Column of Trajan. [3] A series of studies of Roman state art appeared in the pages of the Bonner Jahrbücher beginning in 1969.