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Poets can call attention to certain words in a line of poetry by using alliteration. They can also use alliteration to create a pleasant, rhythmic effect. In the following poetic lines, notice how alliteration is used to emphasize words and to create rhythm: [29] "Give me the splendid silent sun with all his beams full-dazzling!'
The Old English epic poem Beowulf is written in alliterative verse.. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1]
Alliteration and assonance played a key role in structuring early Germanic, Norse and Old English forms of poetry. The alliterative patterns of early Germanic poetry interweave meter and alliteration as a key part of their structure, so that the metrical pattern determines when the listener expects instances of alliteration to occur.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent lines. Alliteration is used as a mnemonic device to evoke feelings such as fear and suspense in poetry. Assonance–Repeated vowel sounds in words placed near each other, usually on the same or adjacent lines.
The earliest Latin poems, unlike early Germanic and English poetry, do not have obligatory alliteration. Most of the fragments of the early accentual Saturnian poetry listed by Lindsay exhibit no alliteration, although some do, for example the following line, attributed to Naevius (c.270–c.201 BC), which has alliteration of M, P, and T:
Old English poetry alliterates, meaning that a sound is repeated throughout a line, generally taken from the first syllable of the first stressed word in a line. Alliteration is based on sound rather than letter.
Bagme Bloma ("Flower of the Trees"), an 18-line poem in Gothic in a trochaic metre, with irregular end-rhymes and irregular alliteration in each line. It is the only poem to be printed in Gothic. It was unofficially published in the rare and soon withdrawn 1936 Songs for the Philologists; [8] also in Tom Shippey's The Road to Middle-Earth. [9]