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Bayan; Classification: Free-reed aerophone: Hornbostel–Sachs classification: 412.132: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than accordions with a piano keyboard: five octaves, plus a minor third (written range = E2-G7, actual range = E1-C#8).
Oleg Borisovich Akkuratov is a Russian pianist, [1] jazz improviser and singer who has amaurosis – complete blindness.He is a virtuoso performer of jazz and classical works and a laureate of the Prize of the President of the Russian Federation for young cultural workers (2019).
The Keyboard Gusli ["Claviroobraznie Gusli" | (Russian: Клавирообразные гусли)] is a heavily strung 19th-century variant with an iron frame, supported on a stand or with table legs. It has a one-octave piano-type chromatic keyboard. Pressing a key raises the dampers on all strings of that note.
Kern attended the Tenth Van Cliburn International Piano Competition in 1997 and did not progress past the R1 level. Kern attained international prominence when she became the first woman in over thirty years to receive the Nancy Lee and Perry R. Bass Gold Medal in the Eleventh Van Cliburn International Piano Competition in June 2001, which she won jointly with Stanislav Ioudenitch.
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
The khromka (хромка) was invented in 1870 in Tula by Russian musician Nikolay Beloborodov. It was a unisonoric (like the bayan or piano accordion), diatonic accordion but on the right keyboard there were also two or three chromatic buttons, usually g 1 ♯, d 2 ♯, f 2 ♯, hence the name khromka.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
Lhévinne made only a few recordings, some of which are considered to be examples of perfect technique and musical elegance. The discs of the Chopin Études Op. 25, Nos. 6 & 11 recorded for RCA Victor in 1935 and Schulz-Evler's arrangement of Johann Strauss II's Blue Danube Waltz, also for Victor in 1928, are legendary among pianists and connoisseurs.