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Aristotle, Pliny, Nicander, Aelian. The standard lore of the salamander as a creature enduring fire and extinguishing it was known by the Ancient Greeks, as far back as the 4th century BCE, by Aristotle (384–322 BCE) and his successor Theophrastus (c. 371–c. 287 BCE) [3] who gave such description of the σαλαμάνδρα (salamandra).
The natural world contains many strange things, including elemental beings corresponding to the four classical elements: undines , sylphs , gnomes and salamanders . He dismisses the conventional Christian view that elemental beings are devils, instead arguing that they are significant parts of God's creation, and studies them like he studied ...
God the Father appears in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam. God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin (see gallery below) in the Frari of Venice, long admired as a masterpiece of High Renaissance art. [25]
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
The legendary salamander is often depicted as a typical salamander in shape, with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire. [ 2 ] [ 3 ] In the Renaissance , the salamander was supposed to be able to withstand any heat and even to put out fire.
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The salamander letter also influenced the content of the film The God Makers II, an alleged exposé of Mormonism. The film suggests that Joseph Smith was required to dig up his brother Alvin's body and bring a part of it with him to the hill Cumorah in order to obtain the golden plates from which the Book of Mormon was said to be translated.