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Footprints in the sand "Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God ...
Sand and Water is the fourth studio album by American singer-songwriter Beth Nielsen Chapman. It was released in 1997 via Reprise Records . The title track was the only single released, peaking at number 22 on Hot Adult Contemporary Tracks [ 2 ] and number 2 on Bubbling Under Hot 100 . [ 3 ]
Biblical references of Every Grain of Sand include: Cain's "chain of events" - Genesis 4: 1-16 Abraham's seed as sand on the seashore - Genesis 22: 15-18 God's thoughts "more in number than the sand" - Psalm 139: 17-18 The Parable of the Sower - (newborn seed, flowers of indulgence, weeds of yesterday, choked) Mark 4: 13-20 Be of Good Cheer -Mark 6: 47-51 Sparrows/hairs numbered - Matthew 10: ...
This parable compares building one's life on the teachings and example of Jesus to a flood-resistant building founded on solid rock. The Parable of the Wise and the Foolish Builders (also known as the House on the Rock), is a parable of Jesus from the Sermon on the Mount in the Gospel of Matthew as well as in the Sermon on the Plain in the Gospel of Luke ().
Beulah Land, 1876, lyrics by Edgar Page Stites (1836–1921) and music by John R. Sweney. First line: "I've reached the land of corn [grain] and wine". [3] In this hymn, several themes from The Pilgrim's Progress are developed. The song talks about today's Christian life as one that border Heaven and from where one can almost see Heaven. It ...
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The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording.
The hymn, immensely popular in the nineteenth century, became a Gospel standard and has appeared in hymnals ever since.. A crowd of admirers in New Zealand sang the hymn in 1885 at the railway station to the departing American temperance evangelists Mary Greenleaf Clement Leavitt of the Woman's Christian Temperance Union and Blue Ribbon Army representative R.T. Booth.