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In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
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Each of these sources provides different accounts of the same event, from the point of view of various first-person narrators. There can also be multiple co-principal characters as narrator, such as in Robert A. Heinlein's The Number of the Beast. The first chapter introduces four characters, including the initial narrator, who is named at the ...
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Point-of-view, or simply p.o.v., camera angles record the scene from a particular player's viewpoint. The point-of-view is an objective angle, but since it falls between the objective and subjective angle, it should be placed in a separate category and given special consideration. A point-of-view shot is as close as an objective shot can ...
Product of imagination – Fiction forms pure imagination in the reader, partially because these novels are fabricated from creativity and are not pure truth; when the reader reads a passage from a novel they connect the words to images and visualize the event or situation being read in their imagination, hence the word.
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For entities within fiction, useful infobox data might include the creators or actors, first appearance, an image, and in-universe information essential to understanding the entity's context in the overall fiction. What qualifies as essential varies based on the nature of the work.