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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The Roland ED SC-8850 (Sound Canvas) is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard.
The Roland XP-50 is a music workstation that combines the synthesizer engine of Roland's JV-1080 sound module with the sequencing capabilities of their MRC-Pro sequencer and a 61-note keyboard. First released in 1995, the XP-50 and the Roland XP-10 were the first two Roland XP-series products, later joined by the XP-80 and XP-30.
Roland Systems Group is a line of professional commercial audio and video products. Amdek was incorporated in 1981 "as a manufacturer of computerized music peripherals and as a distributor of assembled electronic music instrument parts."
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra , it can also be simulated using an electronic effects ...
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer/sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers. [2]
Note, however, that Middle C as the value 24 is relative to whatever settings one has set on the synthesizer to be sequenced. The second concept in programming the MC-4 are time values. The step time values determine the time interval between each musical note, or pitch. To set the time values, one must first set a time base, typically 120.