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The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
Stow also published the earliest known drawings of litema – reproductions of eight designs made by the "Bakuena" (the founding clan of the Basotho nation), which he likely drew himself, based on an unpublished letter by Stow in the South African Library in which he recounts visiting a ruined Bakoena kraal (Van Wyk 1998:89). Stow's drawings ...
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
It is stated that, "People of the Zulu culture admire elegant design and fine craftsmanship in everyday object serving dishes, tools and utensils, smoking pipes, and accessory boxes" (Richard B, 50). On the other hand, most traditional African baskets were made of materials like grass and leaves that would be considered textile weaving.
Kuba Raffia cloth, made by the Kuba of present-day Democratic Republic of Congo Contemporary West African textile designs. African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes.
The heads are typically flat cast plates with elaborate and complex openwork decoration. The cross motif emerges from the decoration, with the whole design often forming a rotated square or circular shape, though the designs are highly varied and inventive. Many incorporate curved motifs rising from the base, which are called the "arms of Adam".
This design was formerly worn by the King of Asante alone. [20] 4 Adinkira 'hene: the Adinkira king 'chief' of all these Adinkira designs [21] 8 Agyindawuru: the agyin tree's gong the juice of a tree of that name is sometimes squeezed into a gong and is said to make the sound pleasing to the spirits [21] Akam: an edible plant, possibly a yam ...
Uli (Uri) are the curvilinear traditional designs drawn by the Igbo people of southeastern Nigeria. These designs are generally abstract, consisting of linear forms and geometric shapes, though there are some representational elements. Traditionally, these are either stained onto the body or painted onto the sides of buildings as murals. [1]