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Impressionism It influenced by the European Impressionist art movement and subsumed into several other categories. The term is used to describe not some movement, but a work of literature characterized by the selection of a few details to convey the sense impressions left by an incident or scene [ 90 ] [ 91 ]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue, and the Imagists. It ...
A sociological theory is a supposition that intends to consider, analyze, and/or explain objects of social reality from a sociological perspective, [1]: 14 drawing connections between individual concepts in order to organize and substantiate sociological knowledge.
Social theories are analytical frameworks, or paradigms, that are used to study and interpret social phenomena. [1] A tool used by social scientists, social theories relate to historical debates over the validity and reliability of different methodologies (e.g. positivism and antipositivism), the primacy of either structure or agency, as well as the relationship between contingency and necessity.
Théodore Duret wrote that rendering idealized impressions instead of landscapes is what epitomises Monet's work and the impressionist movement. Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term ...
Avant-garde cinema, The Love of Zero (1928), a short film directed by the artist Robert Florey [1] In the arts and literature, the term avant-garde (from French meaning ' advance guard ' or ' vanguard ') identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic ...
A cultural movement is a shared effort by loosely affiliated individuals to change the way others in society think by disseminating ideas through various art forms and making intentional choices in daily life. [1]