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Guatemala. Gobierno de Guatemala (1907). Álbum de Minerva 1907 (in Spanish). Vol. VII. Guatemala: Tipografía Nacional. Luján Muñoz, Jorge (1992). "Un ejemplo de uso de la tradición clásica en Guatemala: Las "Minervalias" establecidas por el presidente Manuel Estrada Cabrera" (PDF). Revista de la Universidad del Valle de Guatemala (in ...
La marimba Guatemalteca. Guatemala City: Fondo de Cultura Económica, 2003. Dieter Lehnhoff. "Guatemala." Diccionario de la Música Española e Hispanoamericana, 10 vols., ed. Emilio Casares Rodicio. Madrid: Sociedad General de Autores y Editores, 2000, 6/1-11. ISBN 84-8048-303-2; Dieter Lehnhoff. Creación musical en Guatemala. Guatemala City ...
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
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The Programa Pueblos Pintorescos ("Picturesque Towns Program") is an initiative led by Guatemala's Instituto Guatemalteco de Turismo, known as INGUAT. [1] The program seeks to promote sustainable tourism development in a network of towns and cities that have been identified for their historical, cultural, and natural attributes.
"El Gobierno guatemalteco anunció hoy que lanzará una ruta turística conmemorativa de la canonización del Santo Hermano Pedro de San José de Betancur, celebrada el 30 de julio de 2002 en Guatemala por el papa Juan Pablo II". La Información (in Spanish). Archived from the original on 29 November 2014; La Merced (2013).
The National Anthem of Guatemala (Spanish: Himno Nacional de Guatemala) [a] was an initiative of the government of General José María Reina Barrios. [b] Its music was composed by Rafael Álvarez Ovalle [] and its original lyrics written by Cuban poet and diplomat José Joaquín Palma, in the context of the cultural and industrial event Exposición Centroamericana of 1897.
The image in its glass case. The Cristo Negro of Esquipulas is the earliest and most famous images of its kind, [4] and is the most venerated image in Central America. [7] It originated in this town, 222 km from the capital of Guatemala in 1595, when it was commissioned and made by Quirio Cataño.