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  2. Variations and Fugue on a Theme by Handel - Wikipedia

    en.wikipedia.org/wiki/Variations_and_Fugue_on_a...

    The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B ♭ major, HWV 434.

  3. Jamey Aebersold - Wikipedia

    en.wikipedia.org/wiki/Jamey_Aebersold

    The recordings feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice the song's melody and improvise over the chord changes with accompaniment.

  4. I Concentrate on You - Wikipedia

    en.wikipedia.org/wiki/I_Concentrate_on_You

    I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940, where it was introduced by Douglas McPhail. Notable recordings

  5. Four-part harmony - Wikipedia

    en.wikipedia.org/wiki/Four-part_harmony

    Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.

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  7. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    An inverted chord is a chord with a bass note that is a chord tone but not the root of the chord. Inverted chords are noted as slash chords with the note after the slash being the bass note. For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass.

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  9. Piano Concerto No. 2 (Prokofiev) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._2...

    The piano and flutes gracefully glide up and down the upper octaves. Then, the piano repeats the theme by itself, humorous and secco, before being joined by the orchestra. The tension builds and the music ascends until it reaches a climax, when the opening theme returns with baleful trombones and crashing chords at the top of the piano.

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