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A bridge set to 'float' off the guitar lets the guitarist raise the pitch until the bridge presses against the body. Pitch bends are accomplished by pulling up or down on an arm screwed into the tailpiece block, usually free to swing. The Fender synchronized tremolo is the most widely copied vibrato system. The original design is still in ...
Earliest references to DeArmond's tremolo unit date to 1941. [2] Starting in the 1950s many companies began incorporating the effect into guitar amplifiers, including the Fender Tremolux and Vibrolux: Leo Fender marked the effect on Fender amplifiers as "vibrato", conversely calling the vibrato arm on his Fender Stratocaster a tremolo arm. [3]
The STRAT featured a hotter bridge pickup, marketed by Fender as the X-1. The controls and hardware were gold plated and included a uniquely massive synchronized tremolo. There was no standard neck for The STRAT, but three shapes were available: C, D, and U. Some colors featured matched headstock painting.
The "synchronised tremolo" was introduced in 1954 on the first Stratocaster guitar. The only previously successful "tremolo arm" was the Bigsby vibrato tailpiece, often simply called a "Bigsby". In 1958, Fender reinforced his usage with the "Fender floating tremolo" on the Jazzmaster and some subsequent guitars. The "synchronised tremolo ...
The Elite Strat featured Paul Gagon-designed active electronics, three alnico 2 single coil pickups with an internal dummy coil for noise reduction, Schaller cast-sealed locking tuners, "Free Flyte" floating tremolo, Ox bone nut and three push buttons allowing 7 pickup combinations.
Floyd D. Rose first started working on what became the Floyd Rose Tremolo in 1976. [3] He was playing in a rock band at the time, inspired by Jimi Hendrix and Deep Purple.He frequently used the vibrato bar but could not make his guitars stay in tune using traditional approaches like lubricating the nut, or winding the strings as little as possible around the tuning pegs.
Electronic tremolo effects were available on many early guitar amplifiers. Fender labeled them Vibrato, adding to the confusion between the two terms. [4] Tremolo effects pedals are also widely used to achieve this effect. Most settings on a tremolo effects pedal include depth of the tremolo (sometimes called intensity) and speed of the tremolo.
Fender states the bullet ends create a tighter fit in the tremolo block on Stratocaster guitars, leading to greater tuning stability when the tremolo is used. [6] [non-primary source needed] In the early 1990s Fender switched from using zinc-plated steel for the bullet ends to brass, improving sustain. Today nickel is also used.