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On the book's release, the journalist Mildred Adams at The New York Times wrote of it, "The translations, made by various hands, are not only good they are downright enjoyable. They make it finally possible, after all these years, to give Borges his due and to add North Americans to his wide public."
This list follows the chronology of original (typically Spanish-language) publication in books, based in part on the rather comprehensive (but incomplete) bibliography online at the Borges Center (originally the J. L. Borges Center for Studies & Documentation at the University of Aarhus, then at the University of Iowa, now—as of 2010—at the University of Pittsburgh).
Angel Flores, the first to use the term "magical realism", set the beginning of the movement with this book. [1] The stories (except Hombre de la esquina rosada) are fictionalised accounts of real criminals. The sources are listed at the end of the book, but Borges makes many alterations in the retelling—arbitrary or otherwise—particularly ...
The Book of Sand (Spanish: El libro de arena) is a 1975 short story collection by Argentine writer Jorge Luis Borges. In the author's opinion, the collection, written relatively late in his career — and while blind — is his best book.
The Aleph and Other Stories (Spanish: El Aleph, 1949) is a book of short stories by Argentine writer Jorge Luis Borges. The title work, "The Aleph", describes a point in space that contains all other spaces at once. The work also presents the idea of infinite time.
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Borges in 1967. In Borges' story, the Aleph is a point in space that contains all other points. Anyone who gazes into it can see everything in the universe from every angle simultaneously, without distortion, overlapping, or confusion. The story traces the theme of infinity found in several of Borges' other works, such as "The Book of Sand".
"The Two Kings and the Two Labyrinths" (original Spanish title: "Historia de los dos reyes y los dos laberintos") is a short story by Argentine writer Jorge Luis Borges, first published in February 1936. [1] It was later included in El Aleph under the title "Los dos reyes y los dos laberintos".