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The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960), and shortly thereafter by the Cannonball Adderley Quintet on the album Them Dirty Blues (February 1960) and by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960), with Timmons as pianist on both recordings.
"Dat" is a song by Jamaican singer Pluto Shervington, released as a single by him, on the Opal Records record label, in 1976. The single reached number 6 in the UK Singles Chart on 6 March 1976, staying in the charts for a total of eight weeks. It was Shervington's biggest hit in the UK. [1]
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
A. A Dios le Pido; A la Nanita Nana; A la Primera Persona; A las Barricadas; A Medio Vivir (song) A Palé; A Pedir Su Mano; A Puro Dolor ¿A quién le importa?
Amor (Great Love Songs in Spanish) is an album by Eydie Gorme & The Trio Los Panchos. It was produced by Pete Rosaly and released in 1964 on the Columbia Records label. The album spent 22 weeks on the charts and included the hit single "Sabor a Mi". It was the best-selling album in Gorme's career. [1] [2]
This Here Is Bobby Timmons is an album by American jazz pianist Bobby Timmons recorded in 1960 and released on the Riverside label. [1] It was his first album as sole leader; the earlier Jenkins, Jordan and Timmons (1957) was a co-led date with saxophonists John Jenkins and Clifford Jordan.
" Quizás, quizás, quizás", sometimes known simply as "Quizás" (Latin American Spanish:; "Perhaps"), is a popular song by Cuban songwriter Osvaldo Farrés. [ 1 ] [ 2 ] Farrés wrote the music and original Spanish lyrics for the song which became a hit for Bobby Capó in 1947 .
Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. [1] Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba ...