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The Beatitudes (/ b i ˈ æ t ɪ tj u d /) are eight blessings recounted by Jesus in the Sermon on the Mount in the Gospel of Matthew.Here, the title is pronounced "beat-itude" (/ ˈ b iː t ɪ tj u d /), a portmanteau of the words "beat" and "attitude", and pays homage to the 1950s poetry magazine Beatitude, which featured work by poets including Allen Ginsberg.
Subsequently, the word was anglicized to beatytudes in the Great Bible of 1540, [7] and has, over time, taken on a preferred spelling of beatitudes. While some opinions can differ as to exactly how many distinct statements into which the Beatitudes should be divided (ranging from eight to ten), most scholars consider them to be only eight.
Les Béatitudes, (Op. 25), CFF 185, FWV 53, [1] is a French oratorio written by César Franck from 1869 to 1879 and scored for orchestra, chorus, and soloists. The text is a poetic meditation on the eight beatitudes of Jesus, from the Gospel of Matthew, by Joséphine-Blanche Colomb.
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If a particular song is on more than one album, all albums are listed alphabetically. A number in brackets after the album name indicates the version number of that song in chronological order. If they are the same number, it means they are the same recording. Note: Songs from the (non-English) Hillsong Ukraine albums are not listed.
Beatitudes is an album by saxophonist and composer Bobby Watson and double bassist Curtis Lundy. It was recorded on April 11, 1983, at Van Gelder Studio in Englewood Cliffs, New Jersey, and was released on vinyl later that year by New Note Records. In 1997, the album was reissued on CD by Evidence Music.
The Beatitudes are a set of teachings by Jesus. Beatitudes may also refer to: Beatitudes, an album by Bobby Watson and Curtis Lundy; Les Béatitudes, a French oratorio by César Franck; The Beatitudes, choral work from Arvo Pärt; The Beatitudes, chamber music by Vladimir Martynov; Beatitude, an album by Ric Ocasek
"Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John.The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style.