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Harbor Freight Tools, commonly referred to as Harbor Freight, is an American privately held tool and equipment retailer, headquartered in Calabasas, California. It operates a chain of retail stores, as well as an e-commerce business. The company employs over 28,000 people in the United States, [5] and has over 1,500 locations in 48 states. [6] [7]
Each roll of 35 mm film came with its own small packet of processing chemistry. After exposure, the film and its packet were loaded into a small hand-cranked machine called an "AutoProcessor". [10] [11] The time it required to produce a fully developed film ready for mounting varied from between two and five minutes, depending on the type of film.
In color film, this backing is "rem-jet", a black-pigmented, non-gelatin layer which is removed in the developing process. [32] Eastman Kodak manufactures film in 54-inch (1,372 mm) wide rolls. These rolls are then slit into various sizes (70 mm, 65 mm, 35 mm, 16 mm) as needed.
Eastman Color Internegative II Film 1980 2014 Process ECN-2. Replaced 5271/7271. [27] 5243 Eastman Color Intermediate Film 1976 unknown, but disc. Introduced in 1976, [24] improved in 1986 [27] 5244/7244 Eastman Color Intermediate Film 1992 unknown, but disc. Replaced 5243/7243. [27] 2244 Eastman Color Intermediate Film 1992 unknown, but disc.
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film , which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
Splitting a film image into three colours in a Spirit DataCine scanning machine, 2006. The front end of a motion picture film scanner is similar to a telecine.The imaging system may be either a charge-coupled device (CCD), a complementary metal–oxide–semiconductor (CMOS) or photomultipliers imaging pick up.
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
"Color film" in the modern sense of a subtractive color product with a multi-layered emulsion was born with the introduction of Kodachrome for home movies in 1935 and as lengths of 35 mm film for still cameras in 1936; however, it required a complex development process, with multiple dyeing steps as each color layer was processed separately.
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